A modest attempt to F20 obtained with a decent but seeing jet stream "destructive"
Sunday, February 6, 2011
Thursday, February 3, 2011
Lab Eight Population Hardy Weinburg Problem
NGC 3621: the whole galaxy disk
The galaxy NGC3621, very light, seen here from the Wide Field Imager (wide-field imaging tool) mounted on the ESO 2.2m telescope at the observatory La Silla in Chile, it seems the perfect example of a classic spiral galaxy. In reality is somewhat unusual: it has no central bulge, and therefore can be described as a galaxy "a simple disk.
(source: ESO)
Link to full press release ESO 1104
The galaxy NGC3621, very light, seen here from the Wide Field Imager (wide-field imaging tool) mounted on the ESO 2.2m telescope at the observatory La Silla in Chile, it seems the perfect example of a classic spiral galaxy. In reality is somewhat unusual: it has no central bulge, and therefore can be described as a galaxy "a simple disk.
(source: ESO)
Link to full press release ESO 1104
Monday, January 24, 2011
Thyroid Disorder Scholarships
work in Correggio: "Jupiter and Io"
Anyone who knows a little Greek mythology certainly knows God the ultimate conqueror, Zeus (Latin Jupiter) and his perpetual "love stories".
Zeus, as a good Don Giovanni, continually fell in love with beautiful girls (and boys: Ganymede) and could not take it took the shape of animals, objects or even fog as in this case.
The episode is taken from Ovid's Metamorphoses, in which the great Latin author tells of the love of Jupiter, Io, priestess of Hera and the attempted seduction of "original" thought not to be discovered by the jealous wife.
That said, I wanted to post this because I find that it is the largest of Correggio, the great figure of late-Renaissance Italian. I want to focus mainly on the sweetness of the meat and the imposing of the priestess of Zeus, who despite not having physical substance it conveys a sense of virility and strength. These two components bring the work to become the most sensual painting of the first half of the 500 in my opinion. No other artist has managed to give a painting such a strong erotic, sweet and graceful at the same time. And our good
Correggio!
Anyone who knows a little Greek mythology certainly knows God the ultimate conqueror, Zeus (Latin Jupiter) and his perpetual "love stories".
Zeus, as a good Don Giovanni, continually fell in love with beautiful girls (and boys: Ganymede) and could not take it took the shape of animals, objects or even fog as in this case.
The episode is taken from Ovid's Metamorphoses, in which the great Latin author tells of the love of Jupiter, Io, priestess of Hera and the attempted seduction of "original" thought not to be discovered by the jealous wife.
That said, I wanted to post this because I find that it is the largest of Correggio, the great figure of late-Renaissance Italian. I want to focus mainly on the sweetness of the meat and the imposing of the priestess of Zeus, who despite not having physical substance it conveys a sense of virility and strength. These two components bring the work to become the most sensual painting of the first half of the 500 in my opinion. No other artist has managed to give a painting such a strong erotic, sweet and graceful at the same time. And our good
Correggio!
Wednesday, January 19, 2011
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